September 27, 2005
Very shiny
Tonight was the preview of the much anticipated (by me and many Browncoats) of Serenity. And it was very shiny. There was also free stuff, including a t-shirt big enough to fit both Ian and I inside it. This was welcome as the theatre was more than a little chilly and I enjoyed having another layer on over the light sweater I brought. Also, a poster and a ballcap. Ian looks quite fetching in the ballcap, though it should’ve been brown, not black, for plot consistency at least.
I was thrilled to get my passes, even though there was nobody checking them, and the ftp they sent me to get images just crashed my machine. Eh, I stole Bill’s images and they’re likely more fun. I also found out through that LiveJournal circle that Grace Hill media is scary Republican and now they have my name. Eww. Ah well, if the true libertarians (who find a comfy home in the Serenity plotline) would realize their mistake and leave the Rep. party, Roe v. Wade would be safer. But I digress…

No spoilers just yet, but I must tell you, having the film jump at the most climatic scene of the film, at a preview full of fans, well, it gets ugly. And apparently, you can stop the signal. (Joke courtesy of Ian, thank you, he’ll be here all week.)
The poor guy working the theatre had to come down in front of a nerdily rowdy group and tell us they’d have it fixed soon. So I walked up to the concession and told the girl behind the counter that she should authorize me for a refill on my root beer. She did. The film restarted and didn’t miss anything, thankfully.
The film went at full speed, certain from the start that it is a film and not a very long tv episode. This point was brought painfully home when the film jumped, but also in a less troublesome way with the heart-racing that pretty much began after my mild acceptance (small annoyance) at the minor storyline adjustment that opens the film. After that opening sequence, the hook is deep and you’re running along with them, adrenaline fueled, eyes peeled.
Ian and I are both ready to see it again at the regular opening on Friday. Twice in a week, yep, that’s a good film. It will work well for fans, and for those who have never seen an episode nor visited the Whedon’verse. The humor may catch them off guard, but hopefully the audience will have enough brains to get it.
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HERE BE SPOILERS
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As to the plot-line problem, this isn’t much of a spoiler as it is the very first scene. It’s better to get a shift like this out of the way. Shifting how Simon gets River out doesn’t bug me as much as it could’ve. Talking with another preview-goer, she said it’s as if they just stepped sideways off the TV plot-line, running as a very close alternate story. That’s fine. There were no apologies, and it would’ve been far more awkward to drag it out with the number of characters implied in the TV version, not to mention that it wouldn’t have made as rich a relationship between the siblings.
Another TV-to-film shift, also noted by the nice folks next to us, chatty before the show and during the unintentional intermission, is that both Simon and Mal are much angrier in the film. This suits them, and also cuts to the chase the way a movie needs to, and TV shouldn’t. Well played.
For the record, the intermission happened during the knife-fight just as Mal was professing his fondness for all of the seven sins. Very inconvenient!
Then there are the deaths.
Ok, Whedon, you know that you can abuse us with killing off truly fantastic characters. I know this from Buffy. I am not afraid. But, oh, it is mean all the same. I expected death and carnage, but this, well, this was a clean and very sharp knife right through a fan’s heart, so expertly delivered, I didn’t feel it until after I hit the floor, splashing in a pool of my own blood.
I will lift this from another Browncoat:
Joss Wheadon had a Q&A after the screening I saw and his justification was that he wanted to make sure there were consequences for the crew getting into the tight spots they did, and killing Wash was an attempt to punch the audience in the emotional stomach as hard as he could and then move on without giving them any real chance to process it or linger on it.
Well, that’s true enough.
No one got out of this without real consequences, and that in and of itself shows Whedon as a strong author in addition to everything else.
Of course, as a film-goer as well as a fan, I hope for a sequel/prequel/whatever. The main problem is that the show was cancelled far too soon, with so much left unsaid. Buffy was a story fully told, and it’s great that it got to be that. This show had the potential to do that too. I hope they get a second round because it’s just a wonderful set of tales locked in there, ripe for picking.
Filed by joy at 11:56 pm under visuals
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